Login or Sign Up. Join the HC Newsletter. Soloing over a chord progression Previous 1 2 template Next. So, when soloing over this progression I can always use the Am pentatonic and the A Blues scales over any of the above chords. Can I also change the scale I'm using to match each chord change?
The next two bars are the Dm chord can I use the Dm pentatonic or D Blues scales during those two bars?
Same for the next chord change Lick library chords and scales But for a few gifted exceptions very few guitarists can make this compelling over the long run though Absolutely you can, in advanced jazz some of those guys are changing scales every bar at breakneck speeds. The more likely approach here though is to identify and practice a family of scales which will work over each chord and play over a backing track to get a feel for how they integrate into each other.
Lots of great Blues DVDs out there which will present you with the difference scales choices that some artists prefer. My choices can get pretty tangential at times so I'll spare you those.
You can but if you emphasize the wrong notes it will sound sketchy. There are no "incorrect notes to play" in your solos -- only "incorrect notes to emphasize" in terms of disonance.
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There are no sour notes, only sour resolutions. So the key there is to play over a backing track and experiment -- because to some extent the fine art of guitar is "learning to make things work" which normally might not, i.
Lick library chords and scales playing over backing tracks is fun and that's the name of the game. Just one tip, try recording yourself, even if only through a cellphone voice recorder, so you can listen back and make sure you aren't just picking through the same old ruts.
Try to make each recording a little different than the last -- this will lead you through all the important permutations eventually.
Jamming over tracks is partly about self discovery too. I firmly believe,you can use all the notes whatever progression your'e into. Its just a matter of good choice of notes and of course resolving.
But i will answer exactly what your asking. Yes,you can use the Dm and Em scale over the Am,But its a skill which is something to develop. What i mean is,at first,most of the time you'll get out of tune.
Stuart isn't the most dynamic guy on there but he provides good info here and it's quite watchable -- so check it out if you can, it should help you out.
Yes you can do everything Lick library chords and scales listed because every one of your points comes directly from the A Minor scale sans the "blue notes" from the different blues scales.
Playing all of these will give you a few ideas to mess with, and kind of keeps you within the boundaries or the "safe notes" if you will IOW, no note you play will be out of Key or out of scale. But you might take this opportunity to learn some theory behind the "Minor Key" The V or V7 chord is used quite frequently since it contains a "leading tone", or a note a half-step below the Root of the Im.
This note almost forces the V7 to resolve to the Im chord. This is a sound you've probably heard a million times on the radio or on TV or in the movies. This "sound" you Lick library chords and scales heard it called a "cadence", and it's also referred to as "tension and release".
That V7 really finds it's way back to the Im chord nicely. Scale wise now for a Am-Dm-E7 progression Give it a try, I'm sure you'll hear what I'm talking about. The only good liberal is a Uma is a motorik.
Now I understand the reason why the natural and harmonic minor exist. I think, for me, I always was thinking of the pentatonic as a separate scale, but in reality it's just a minor in this case scale with a few notes missing.
Also, I wasn't thinking of the chord changes in terms of the scale modes I was thinking of the chord changes as key changes Instead of using the various modes of the key that the song is written in I was thinking that I would be basing the scales I was soloing in off of the chord that was currently being played Dm chord I would play in the Dm scale Em chord would mean I play in the Em scale But since the pentatonic takes out some key elements of the scale it makes modal playing much more simplified They predate Blues actually by Lick library chords and scales waaaaaays.
You know many people spend time on Diatonic theory but never really understand "Keys". The Minor Key is a good place to start because it inherently gives you this V7 chord that's not "in Lick library chords and scales scale" but very much "in the Key". Many never break the concept of "Key" as being different than the concept of the "scale".
Sure you can use a scale to build all these perfect "right out of the scale" chords and stuff, but with a "Key" all of Lick library chords and scales notes that aren't in the scale are JUST AS important as the ones that are in the scale. This is why in theory you can create progressions and things that stay strictly in a Diatonic scale, but in music you end up with a bunch of stuff that ISN'T in the Diatonic scale That V7 in a Minor Key is a great example of how the scale notes don't need to stay the same in regards to the Key.
This is all application speaking, the next step beyond the Diatonic theory aspects.
Could you be more obtuse? Just what is it that the fretboard is a chiral of? And yes I understand the term, I just don't follow your logic.
To the OP, Re-read Gennation's posts, in fact re-read everyone's post before mark chimed in. All of the advise, comments and even Gizzmo's revelation are dead-on.